“For me, much of Shakespeare's work is about exploring humanity - our extremes, and how the extremes at either end are often closer than we think. What I see in A Midsummer Night's Dream is a parallel to the world we're living in: "the seasons alter" as the climate continues responding to our love/hate relationship with our earth, of which we should be the protectors. The young lovers are trying to navigate a world they were handed, not one they chose; and once again, the lines between love and hate, friend and foe, enemy and lover blur.”
Danaya Esperanza is an artist based in New York. She's made a career in the Off-Broadway scene and The Public Theater has become a second home, where she has workshopped a number of plays, and performed in the recent award-winning production of For Colored Girls (Lady in Orange); The Mobile Unit's Twelfth Night (Viola), The Tempest (Ariel), and the upcoming Cymbeline (Imogen). Danaya is also a teaching artist and director and, after performing in a couple of them, is honored to be curating her first Brave New Shakespeare Challenge.