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Red Bull Theater's HOW SHAKESPEARE SAVED MY LIFE

In the Red Bull Theater production of HOW SHAKESPEARE SAVED MY LIFE, Jacob Ming-Trent dares to rescue himself from the “slings and arrows” of his past. Born with a gift for poetry but rejected as unfit to play the part of the poet, Ming-Trent invites us to take a deep dive into the crevices of his youth. His search for home is relentless, and the results are by turns hilarious and tragic. Calling on the Bard and a host of genius rappers, half-crazed preachers, and soulful poets to throw him a lifeline, he takes us on a propulsive ride that reaffirms the power of language. It all adds up to one man’s attempt to reclaim his life, and through that journey we connect to the deeper parts of ourselves, and, ultimately, to each other. Directed by Tony Taccone.

PHOTOS

GOOD TIME CHARLIE

Ryan J. Haddad returns to The Public with his joyous, moving new play GOOD TIME CHARLIE. As a young man, Charlie dreamt of a life on the stage, but his parents thought dentistry sounded better, so he channeled his passion for culture into his nephew Ryan—a fellow theater-loving gay kid with Broadway ambitions. Spanning more than three decades, GOOD TIME CHARLIE is a multigenerational story of gay men growing up, falling in love, and cherishing the arts. Directed by Danny Sharron, this comedic, theatrical love letter celebrates the people who teach us how to dream.

The complete ensemble-cast of GOOD TIME CHARLIE includes Sherz Aletaha (Understudy), Tim Bagley (Lou), Nicholas Barrón (Understudy), Michael Cristofer (Sheldon), Ryan J. Haddad (Ryan), Beth Malone (Janice), Nael Nacer (Charlie Sr./Bob), Artemis Pebdani (Joan/Judy), Jonathan Raviv (Charlie), and Doug Shapiro (Understudy).

PHOTOS

THE CURIOUS CASE OF BENJAMIN BUTTON

Following a highly acclaimed production in London’s West End, THE CURIOUS CASE OF BENJAMIN BUTTON makes its North American premiere at The Public this fall. Olivier Award-winning writing team Jethro Compton and Darren Clark reimagine F. Scott Fitzgerald’s iconic story of an old man who is not at the end of his life, but at the beginning. Set in a Cornish fishing village on the coast of Great Britain, and brought to life by a company of 15 actor-musicians, this is the magical tale of a love that defies all odds. 

The complete actor-musician ensemble of THE CURIOUS CASE OF BENJAMIN BUTTON includes Jo Brook (Swing), Britney Coleman (Gwyns/Trenlee Senior/Captain Carrick), Trevor Lindley Craft (Morlan/Landlord/Mrs. Gladstone’s Sister/Mrs. Gladstone’s Sister’s Granddaughter/Electrotherapist), Andrew Durand (Reverthi/Benjamin Button), Brandon J. Ellis (Tewes/Roger Button), Katie Horner (Treth/Morwenna Keene/Miss Moncrief/Drunken Sailor/Doctor), Kelsee Kimmel (Sterenow/Elowen Keene/The Sheep), Casey Martin Klein (Swing), Sachiko Mae (Avoryow/Mary Button/Millie Dyer/Psychiatrist), Morgan Morse (Tonnow/Jack Trenlee/Mr. Bennett), Kris Saint-Louis (Lanow/Locryn/Mrs. Bennett), Claire-Frances Sullivan (Ebron/Lowen/Landlady/Mr. Gladstone), Lauren Jeanne Thomas (Swing), Spiff Wiegand (Swing), and Matt Wolpe (Tir/Mrs. Gladstone/Mrs. Gladstone’s Granddaughter/Billy Tyne). 

PHOTOS

WE'LL SEE

The latest in Richard Nelson’s The Rhinebeck Panorama, his acclaimed 12-play series about three families in Rhinebeck, New York, WE’LL SEE follows the Apple family on midterm election day, November 3, 2026. The Apples are anxious, looking for a way to get through the night. They gather at Barbara’s for a family dinner. They tell stories, catch up, laugh, make fun of themselves, eat, sing, and talk about their lives and the incidental moments of their day, while asking themselves a question: “Do we define ourselves by what we are not, by what we hate?” 

Reprising their roles as the Apple family, WE’LL SEE will feature Sally Murphy (Jane), Maryann Plunkett (Barbara), Laila Robins (Marian), and Jay O. Sanders (Richard). Yvonne Woods (Yvonne) will join this iteration as Richard’s partner.  

FREE SHAKESPEARE IN THE PARK

FREE SHAKESPEARE IN THE PARK at The Delacorte Theater in Central Park is one of the cornerstones of The Public Theater’s mission. Since 1962, over six million people have enjoyed more than 160 free productions of Shakespeare and other classical works and musicals. Conceived by founder Joseph Papp as a way to make great theater accessible to all, The Public’s Free Shakespeare in the Park continues to be the bedrock of the Company’s mission to increase access and engage the community. 

In 2018, The Public Theater, in partnership with Central Park Conservancy and the New York City Department of Parks & Recreation, embarked on a much-needed revitalization of the 62-year-old Delacorte Theater in Central Park to ensure the longevity of Free Shakespeare in the Park for many years to come. The Delacorte Theater reopened in August 2025 with a production of TWELFTH NIGHT. For more information on The Delacorte’s revitalization, visit thepublic.nyc/Delacorte-Revitalization. 

THE PUBLIC THEATER

THE PUBLIC continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation’s first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public’s wide breadth of programming includes an annual season of new work at its landmark home at Astor Place, Free Shakespeare in the Park at The Delacorte Theater in Central Park, the Mobile Unit touring throughout New York City’s five boroughs, Public Works, and Joe’s Pub. Since premiering HAIR in 1967, The Public continues to create the canon of American Theater and is currently represented on Broadway by the Tony Award-winning musical Hamilton by Lin-Manuel Miranda. Their programs and productions can also be seen regionally across the country and around the world. The Public has received 64 Tony Awards, 197 Obie Awards, 63 Drama Desk Awards, 66 Lortel Awards, 36 Outer Critics Circle Awards, 13 New York Drama Critics’ Circle Awards, 72 AUDELCO Awards, 6 Antonyo Awards, and 6 Pulitzer Prizes. publictheater.org

The Public Theater stands in honor of the first people and our ancestors. We acknowledge the land on which The Public and its theaters stand--the original homeland of the Lenape people. We acknowledge the painful history of genocide and forced removal from this territory. We honor the generations of stewards and we pay our respects to the many diverse indigenous peoples still connected to this land. The Public Theater honors and celebrates the people and legacy of Seneca Village, one of the earliest free Black communities in New York City, which was located in what is now Central Park from 1825–1857.